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On the night of May 29, 1946, Mary Grace Simescu, a dark, lithe beauty, waved a wand of neutron-splitting beryllium over a tube of boron, smashing a boron atom, and transmitting an electrical impulse which illuminated a spiraling neon atomic symbol.

She stood in the center of a jubilant throng in Detroit's downtown Grand Circus Park. Flanked by her six princesses, Miss Simescu, "her automotive majesty", inaugurated the first-ever use of atomic power for peacetime purposes, at the same moment commencing a twelve-day spectacle which celebrated Detroit, America's recent World War II victory, and, not least, the 50th anniversary of the automobile.

The centerpiece of the opening night ceremonies was a 65-foot tall sculptural reproduction of the Jubilee symbol, created by Detroit's own futuristic industrial designer, Arthur Radebaugh. Radebaugh's symbol featured three icons of the technological age, sitting atop a giant wheel. In the foreground was the golden silhouette of an 1896 automobile prototype, representing Detroit's glorious past. Immediately behind it, a luminous blue car, amalgamating features of 1946 models, represented the present. Towering behind both automobiles was a symbol of the future, representing pure energy: an "atomic device," an atom in fission.

The symbol was featured on ties, hats, shop windows, official   programs,   and advertisements. On opening night, it served a special purpose. Together with Mayor Edward Jeffries Jr., General Knudsen and George Romney, the Queen stood upon the futuristic sculpture and with a wave of her wand symbolically unified the past and present with the vision of an optimistic future.

top left: Jubilee Queen Mary Grace Simescu extends a tube of boron which had just split an atom of beryllium to furnish the energy necessary to light the Jubilee sculpture.

above right: The official emblem of the Golden Jubilee realized as a sixty-five foot structural reproduction. Its underlying theme was the past, present and future use of energy by the automotive industry for peaceful purposes.

left: The Golden Jubilee Program featuring artist Arthur Radebaugh’s full-color vision of the Automotive Golden Jubilee sculpture on opening night, with downtown Detroit in the background.

The Parade of Nations makes its way to the Golden Jubilee symbol on opening night. Click on the links or arrows below to view the exhibit:

Introduction: The 1946 Automotive Golden Jubilee
Wartime Detroit: The Arsenal Of Democracy
Politics and Pressures: Racial Tensions & Post-War Strikes
Planning the Golden Jubilee
A Detroit First: Peacetime Atomic Power
The Motor City Cavalcade
The Automotive Pioneers
Detroit's Road to Unity